Showing posts with label Walker Art Center. Show all posts
Showing posts with label Walker Art Center. Show all posts

Friday, March 6, 2020

Thrillist: Best Spring Shows and Exhibits in the Twin Cities

Whatcha up to these days? 


Photo courtesy of Thrillist

I'm a little behind on sharing my latest Thrillist pieces, but I'm prioritizing this month get caught up! First up is a list of some of the coolest shows and exhibitions available in the Twin Cities this spring. Some have unfortunately passed, but several are ongoing, excellent exhibits and shows that deserve an afternoon or evening of your time.

We are so lucky to have such a wealth of cultural experiences right at our fingertips, and I encourage you to get outside (especially now that the weather is improving) your cozy abode to experience the best and most unique of them. Click here for the full article or scroll through below to see what cool shenanigans await for you over the next couple months.

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It should come as no surprise that the Twin Cities has a thriving, vibrant arts community -- after all, we have the second-largest number of theaters per capita in the country outside of New York City and a vibrant East African community that contributes to the local arts scene. If you’re feeling the winter doldrums, challenge yourself to get out of the house and explore some of the world-class art, museums, and theaters that Minnesota has to offer. We’ve rounded everything from plays inside a planetarium to an exhibit about the legendary Prince. So spend these snowy months in the warm embrace of the Twin Cities arts community.

The Out There Series
Weekly throughout January at the Walker Art Center 
Lowry Hill / Loring Park
You’ve probably gone to a museum to check out art exhibits, but have you gone to one to see theater? Undoubtedly one of the wildest live performance series you can find is the Walker Art Center’s annual Out There series, which kicks off every January with a bang. This year’s series includes a re-enactment of a real FBI interrogation; a provocative investigation of Latinx cliches and identity politics; a latex-clad “Gothic melodrama;” and a treatise on the powers of artificial intelligence by a group of disabled performers.
Price: $26 for individual shows

After The Explosion: Documenting Chernobyl
On view through February 23 at the Museum of Russian Art
Windom/Tangletown 
If you were mesmerized by HBO’s recent Chernobyl TV series, don’t miss the chance to engage with a real piece of Chernobyl history. Featuring images originated from the archive of Nikolai Tarakanov, the major general who supervised the removal of highly radioactive elements from the Chernobyl site, this exhibit provides a visceral reminder of human fallibility.
Price: $12

First Avenue: Stories of Minnesota’s Main Room
On view now through May 3 at Minnesota Historical Society
Cathedral Hill
The most legendary club in Minnesota finally has an exhibit of its own. First Avenue has been the pinnacle venue for the early careers of many local legends like Lizzo, Prince, The Replacements and more since it opened in 1970. The list of acts who have strutted this stage is a veritable who’s who of music history, featuring everyone from Ike and Tina Turner to REM, RunDMC, the Fugees, Lady Gaga, Billy Idol, Red Hot Chili Peppers, Patti Smith, and many more. Seep in the unseen history of a Minnesota musical institution while you still can.
Price: $12

Prince: Before the Rain
On view now through May 3 at Minnesota Historical Society
Cathedral Hill
It may be three years since Prince died, but in Minnesota the grief still feels fresh as ever. Mend your broken heart a little by stopping by this special exhibit tracking Prince’s early career and rise to superstar fame. All photos are taken by Prince’s personal photographer and friend Allan Beaulieu and are sure to include images even the biggest fans have never seen before.
Price: $12

Black Comedy
January 10 - February 7 at Theatre in the Round
Cedar-Riverside
What would you do if you had to impress an important guest, but all your power went out and your party had to continue completely in the dark? That’s the question at the center of Black Comedy, an unusually funny play written by Peter Shaffer (who is better known for writing heavier dramas like Equus and Amadeus). Theatre in the Round’s unique stage construction will give Black Comedy a whole new perspective, literally. Attend for the chance to brighten up the dark winter nights at this time of year.
Price: $22

Noura
From January 11 - February 16 at the Guthrie Theater 
Downtown East
Questions of identity and immigration are extremely relevant topics right now. Noura, a new play by Heather Raffo, describes an Iraqi woman named Noura who struggles with her new life in the United States and feels left behind by her husband and son, who are more assimilated. Inspired by Henrik Ibsen’s A Doll’s House, this is a modern take that is not to be missed.
Price: $25-$79

Apollo: When We Went to the Moon
From February 1 - May 10 at the Science Museum of Minnesota
St. Paul
Though it has been more than 50 years since Neil Armstrong and crew touched down on the lunar surface, the Apollo missions feels just as enthralling today. This Science Museum of Minnesota exhibit takes visitors from the beginning of the Space Race to the debut of the International Space Station and more. From a simulated Apollo 11 launch experience to artifacts from the US Space & Rocket Center, museum-goers will feel ready to blast off themselves.
Price: $14.95-$19.95

Bernarda Alba
From January 15 - February 16 at the Ritz Theater
Northeast
Theater Latte Da can always be counted on to provide high quality, thought-provoking musicals. Bernarda Alba, which stars 10 of the Twin Cities finest musical theater actresses, is no exception. This lesser-known musical details the unhappy lives of five sisters under their strict mother’s harsh reign after her second husband dies. Think of it like August: Osage County, but with music. There won’t be many productions of this one elsewhere; seize the chance to see it while you can.
Price: $33 - $53

An Art of Changes: Jasper Johns Prints
From February 16 - September 20 at the Walker Art Center
Lowry Hill / Loring Park
To commemorate the legendary artist’s 90th birthday, this touring exhibit chronicles six decades of Jasper Johns’ famous printmaking. The traveling exhibit showcases various techniques and motifs that the artist explored throughout his career, including his well-known paintings of the American flag, as well as his work with numbers and the alphabet. See how Johns bridged the gap between abstract impressionism and pop art -- and why he’s regarded as one of the most influential 20th century American artists.
Price: $15

A Doll’s House Part 2
From January 15 - February 23 at the Jungle Theater
Lyn-Lake / Uptown
One of the smash hits of the 2017 Tony Awards, A Doll’s House Part 2 imagines the consequences of Nora Helmer’s choice to leave her family in the original Doll’s House published in 1879. What happens when she shows up back at their door years after leaving them behind? This smart, powerful drama is a perfect choice for the feisty Jungle Theater, which has been turning out record audiences and completely rebranded under the expert hands of Artistic Director Sarah Rasmussen. Get your tickets early as almost all of their plays sell out quickly.
Price: $20-$55

Sherin Guirguis: Here I Have Returned
On view now through February 23 at the Minnesota Museum of American Art
St. Paul
African-born and Los-Angeles-based artist Sherin Guirguis has had a long-standing interest in exploring the forgotten histories of Egyptian feminists. Her most recent exhibit comes to St. Paul and fills the museum’s two-story Rauenhorst Court with her installation of hand-cut paper artwork, sculpture, and other artifacts inspired by writer Doria Shafik, best known for organizing 1500 women at the American University of Cairo and storming the gates of Parliament, demanding that women be given the right to vote and hold public office.
Price: Free admission

Skeleton Crew
From January 30 - March 1 at Yellow Tree Theatre
Osseo
Don’t miss this new play by Dominique Morrisseau, a contemporary playwright who is quickly becoming a critical darling along the likes of Lynn Nottage. Skeleton Crew tells the story of a group of auto workers struggling with the future of their jobs at an automotive factory in Michigan during the Great Recession. The material is relevant, powerful, and is acted by a cast of Twin Cities all-star actors; don’t miss it.
Price: $26-$30

Silent Sky
From February 22 - March 8 at the Bell Museum 
Falcon Heights
Site-specific theater is a growing trend in Minnesota. One of the most exciting in 2020 is Silent Sky, which Theatre Pro Rata is bringing to the planetarium at the University of Minnesota’s Bell Museum. The show tells the true story of Henrietta Leavitt and other female “computers” in their work at Harvard University, helping to document and discover hundreds of stars and other planetary bodies. Think of it like your local, live acted version of the smash successful film Hidden Figures.
Price: $30

The Mystery of Edwin Drood
From March 13 - April 5 at Lyric Arts 
Anoka
You probably know a certain author named Charles Dickens for his famous novels like A Christmas Carol or Oliver Twist, both of which have been turned into hit musicals. But did you know about his last work, The Mystery of Edwin Drood? Because the novel was never finished (Dickens died while writing it), the musical lets the audience choose who they think killed Edwin Drood, giving every performance a completely different ending. It’s a night of interactive musical theater that lets you solve a mystery and see a comedy at the same time; think of it like a musical Clue.
Price: $30-$35

Storytelling: Julie Buffalohead
On view now through September 6 at the Minneapolis Institute of Art
Whittier
The Minneapolis Institute of Art (or MIA as it prefers to be known) has long been the hidden gem of Minnesota museums, allowing visitors to view the majority of its vast collection for free. Several exhibits celebrating female artists are coming this winter, including Julie Buffalohead. Buffalohead is an enrolled member of the Ponca Tribe of Oklahoma and creates visual narratives told by animal characters, a mystical subject matter that rarely graces museum walls.
Price: Free

Monday, January 28, 2019

Out There 2019: Berlin's Zvizdal [Chernobyl, so far - so close]

A nuclear apocalypse seems to be on many artists' minds these days.


Photo courtesy of the Walker Art Center

Last year gave us The Lorax at Children's Theatre Company. A few weeks ago The Children opened at the Jungle Theater. And now we have Zvizdal [Chernobyl, so far - so close], created by the Belgian artist collective BERLIN and the next installment of the Out There series at the Walker Art Center.

I'm not sure how to describe Zvizdal other than a multimedia documentary experience. The bulk of the performance is spent watching a film, which interacts seamlessly with three meticulously crafted models of the film's subject - a single crumbling farm still standing in the wake of the Chernobyl disaster 32 years ago. Dido and Baba are the final two inhabitants of Zvizdal, a small village in northern Ukraine that fell within the permanent radiation radius after the disaster. The majority of the village's population was evacuated and re-located elsewhere, but a few residents stubbornly refused to leave.

Dido and Baba are the final inhabitants of Zvizdal and make for a fascinating film subject. Much like the agnostic gaze of Planet Earth, in Zvizdal we are taken deep into observing Dido and Baba's truly analog lives without a filtered perspective. In addition to the nuclear fallout, the subject is made all the more difficult by the fact that Dido and Baba are in their early 90s when the video is shot. Because the village was evacuated they are left totally without access to services we take for granted - running water, electricity, television, paved roads, gas for cars or motorized vehicles, grocery stores, post offices - even the radio station no longer services Zvizdal's two remaining residents.

The film focuses on Baba and Dido's lives over several seasons. Below the screen, three intricately detailed models (one each) of the summer, winter, and transitional spring / fall seasons show their home, animals, and foliage of the neighborhood. A focused camera on a track silently moves between them, interspersing the recorded documentary footage with the live rotation of the models. It has the effect of an almost 3D-meets-claymation imagery, and although I think it was unnecessary in terms of adding to the meaning of the piece, it was certainly interesting to watch. I could see how you might make a more efficient version of stop-motion animation with this technology, and it did help the piece to feel more interactive than simply staring at a screen surrounded by strangers.

I took my husband to this show, and we both agreed it's one of our favorite Out There performances of any year. Something about the quiet nature of Baba and Dido's lives profoundly affected each of us; the pregnant pauses between the mundane elements of each of their lives gave space for thoughtful reflection on modern society and humanity's responsibility to each other. Interestingly he and I left with very different lessons from the film. He was profoundly impacted by the imagery of Chernobyl's nuclear fallout and rightly pointed out how little detail is taught about the disaster today. As much we are told that the Cold War is over (an increasingly debatable fact, one might think), we still live in a highly nuclear world. There are nuclear power plants located in Minnesota and warheads planted all over the Midwest; a disaster could easily fall here, where it is far more densely populated than Chernobyl was, and what would we do if that happened? Are there better, safer ways of producing energy? Why bother with nuclear at all anymore with our increasingly efficient technologies for solar and wind power? How do you gauge what technologies are safest for life yet still meet our endless appetite for more and more powerful energy sources?

I, on the other hand, was deeply moved by Zvizdal's subconscious conversation about aging in Western societies. Baba and Dido aren't just living what is essentially a peasant's life in the 1800s; they are doing it in the latest decades of their lives, without access to electricity, modern medicine, telephones to call for emergencies, or even nearby family to check on them regularly. Their decades-long companionship provides them with a profound relationship that is truly the cornerstone of their survival, but it is clear that they are very hungry and physically suffering. Their mental quality of life would be devastated if they had to leave the only homes they've ever known, the homes they've lived in for nearly a century; but what about their physical needs? Is it moral to leave them alone in Zvizdal knowing they will be injured or starved and unable to reach help? Or is it better to allow them to die on their own terms, no matter how hard it is to watch? The way the elderly are treated in Western societies is a serious, troubling question that I don't think we publicly think about enough. Zvizdal shines a spotlight on many of the challenging aspects of this conversation and any viewers are sure to have a lot to think about by the time they leave.

I found Zvizdal [Chernobyl, so far - so close] to be a thoughtful, lyrical, quietly profound piece of art. It surprised me with its simple eloquence and left me with so much to discuss and think about. It's a great example of how art done well can delight, innovate, teach and advocate for change all at the same time. If you get a chance to go I would highly recommend it; click here for more information about Zvizdal [Chernobyl, so far - so close] and the rest of the Out There series at the Walker Art Center, which continues through the end of January 2019.


For a roundup of past Out There performances I've covered, see the following: 

Monday, January 21, 2019

Out There 2019: Kaneza Schaal's JACK &

Every year I visit the Walker Art Center's annual Out There series... 


Kaneza Schaal: Jack &. Photo: Christopher Myers.

And every year I leave with a plethora of exciting new ideas about performance art.

The avant garde festival can be really intimidating for those who don't see a lot of theater or prefer explicitly traditional forms of performance, but that's exactly why I find it valuable. As much as I love the usual circuit of theaters and companies I frequent, I find that January (aka the season of resolutions and incipient goal setting) is such a great time to refresh my perspective and re-set my expectations of the shows I'm going to see throughout the year. I'm really grateful the Walker puts this on annually and I encourage you to check out their programming!

This year kicked off with the return of Rabih Mroue, who I wrote about on his first Out There performance in 2016 (click here to see my thoughts). Intriguingly, the kickoff was offered as a free of charge reception as part of the monthly Target Free Museum nights, which take place every Thursday (and are a must-do if you haven't been - what better way to see an internationally renowned museum than for FREE?).

The first show I attended was last weekend's performance called JACK &, created by Kaneza Schaal and starring Cornell Alston. It was a three part show with completely different feelings to each portion. The first was a dynamic monologue that helped get the audience into the appropriate perspective and context to understand the overall performance. The second part was a witty, innocent parody of a 1950s comedy sitcom, reminiscent of an I Love Lucy sketch (but blacker). The third portion moved straight into the modern art period, with a completely silent (other than an eclectic mix DJ'd by Rucyl Frison) performance made of eerie costumed dance in front of a projection of a goldfish in a bowl. The dance somehow managed to be energetic yet wistful, carrying some of the energy and sinister-with-a-smile feeling from This is America.

JACK & as a whole had the flavor of an Americana you never see, telling the story of black people through what are thought of as white artistic mediums in one of the most stereotypically white venues of all: an elite art museum. The very presence of the actors on stage felt radical, like a breath of fresh artistic air, and the lyrical patois of the monologue (which fed into the kitschy sitcom feel of the second part) moved us lyrically and seamlessly through what otherwise might have felt like a very disjointed effort. The cast on-stage (composed of Cornell Alston, Rucyl Frison, Modesto Flako Jimenez and Stacey Karen Robinson) worked as a cohesive unit with wit and presence; I'd be interested to see the fresh approach their chemistry could take on more established scripts as well.

The annual Out There festival is one of the most affordable season tickets you can get in the Twin Cities and will give you an innovative, unusual artistic experience you won't find anywhere else. For ore information on this festival (which runs on weekends throughout January) or to buy tickets, click on this link. Make sure to keep following the blog throughout the month to see my coverage of the upcoming performances!

For a roundup of past Out There performances I've covered, see the following: 

Tuesday, December 4, 2018

Thrillist: The Best Things to Do in 25 of America’s Most Fun Cities

Doesn't #23 seem a little low on the ranking? 


Photo courtesy of Thrillist

How do the Twin Cities stack up when compared with our fellow American metropoles? Let me count the ways.

Thrillist asked me to send in some suggestions for cliched sights in the Twin Cities worth their salt and I came up with the following list. We're pretty lucky here in that very few things are truly overrated - but that doesn't mean there aren't still some standouts. I was sorely tempted to throw in MIA, Landmark Center, some theater, or the riverfront, but the sculpture garden won in the end thanks to its completely free access and Insta-worthy setting.

Check out the rest of my touristy Minnesota thoughts by clicking on this link to read the article, and let me know - what would be your best iconic tourist location to visit? Are there any under the radar events I need to know about? I'm always looking for the next big thing, so please send your suggestions my way to compendiummpls@gmail.com.

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23. Minneapolis


The Best Iconic Thing - Walker Art Center Sculpture Garden
How many cities can boast an iconic sculpture garden? How many of them can boast that such a venue is 100% free to visit? If museums seem just a little too boring or expensive but you feel the need for some culture in your life, check out the Walker Art Center’s sculpture garden. Recently re-vamped and open year round (yes, even when it snows), this highly visible gem is worth a longer stop than glancing it over while waiting at a red light on Hennepin Avenue. Come for Claes Oldenburg’s iconic Spoonbridge and Cherry statue; stay for the over 40 additional works, including Katharina Fritsch’s Hahn/Cock, a giant electric-blue chicken.

The Best Free Thing - Transmission Dance Nights with DJ Jake Rudh
The Twin Cities are a highly underrated destination for all kinds of arts. In addition to a thriving theater scene (with more theaters per capita than anywhere except New York City), our music and radio scene is equally vibrant. Those familiar with DJ Jake Rudh likely know him from spinning indie classics on Minnesota Public Radio’s hipster station of choice, 89.3 The Current. What they may not realize is that Transmission, Rudh’s scheduled broadcast every Thursday night at 10 p.m., is also a live – and completely free – dance party. With dates scheduled weekly all year round, there’s always an option for club fiends to hear the best mix with their friends and check out some of the Twin Cities best clubbing venues free of charge. Make sure to follow the Transmission Facebook page for more information.

The Best Under The Radar Thing - The Minneapolis Skyway System
Many Minnesotans have heard visitors complain that the Twin Cities feel empty, especially in the winter. Looking out the window it would be easy to assume that there aren’t many people living here at all. But you’d be wrong, they’re all living up in the air. A hefty network of rooftop bars and patios, the Skyway System links Minnesotans through buildings via second floor tunnels and footbridges -- it’s like a giant hamster wheel but for people. Minneapolis alone boasts over 13 miles of skyways filled with restaurants, shops, massage parlors, nail shops and banks, including Brits Pub, a fully grassed lawn bowling court with a wall-sized movie screen and three story outdoor bar complex. - Becki Iverson

Friday, January 5, 2018

Out There 2017: Teatro El Público: Antigonón

The Walker's annual mindbending theater festival got off to bombastic start last night. 


Photo Courtesy of the Walker Art Center

Do you ever just feel a little bored? Just a little worn out, like things are the same ol' same ol' all of the time and just aren't as intriguing anymore?

Thankfully I had a very revitalizing year of theater in 2017 (you can see my best-of round up here), but it's always nice to do something totally new to mix it up, especially at this time of year when resolutions abound and everything is being reexamined with fresh eyes.

The Out There series at the Walker Art Center has long been one of my favorite ways to mix up my engagement with and understanding of the performance arts. I've seen everything from the legendary Bill Jones to hip hop laden spoken word to split stage Japanese magical realism to a completely indescribable Baz Luhrman-esque on-stage dance fest, and it just keeps coming.

This year promises to provide more of these mindbending works, beginning with Teatro El Público's Antigonón. One of my favorite parts of the Out There festival is the fact that it draws incredible international talent to the Twin Cities, allowing us all to affordably see groups we'd never otherwise be exposed to. Teatro El Público, an edgy Cuban group, is just such an entity.

Antigonón, a radical piece by Carlos Diaz (a leading member of Havana's underground theater and drag scene) re-envisions Sophocles' famous play Antigone. Antigone's subject matter clashes in Antigonón with intense drag costumes, political commentary and a montage of graphic historical film footage to create an emotional, kinetic show that will shove you straight in the chest. The performers are led by a group of three powerful women who narrate us through the bulk of the show with a presence that I can only describe as fearlessly vigorous. From the first word each woman hisses, stomps and punches her way through the narrative, and their unstoppable energy drives Antigonón forward with force. The two male performers provide a softer delivery that includes a folksy song sung in drag and a series of explicitly eye candy poses. It's an interesting gender flip and one that I wasn't expecting.

Be warned, if you are a sensitive person, that this is not a performance for the fainthearted: at least 80% of the performance is done in full or partially explicit nudity and there are plenty of swear words throughout the dialogue; even though they're in Cuban Spanish, you'll know exactly where it's going. I don't mind an edgy delivery (so long as the ends justify the means) and it was fine for me here, with the nudity in particular used almost as a blunt against the sharp narration. It's easy to forget how artistic the nude human form can be, and these performers had no problem displaying their masterpieces here. I enjoyed the creative costumes once they were utilized, and my only real complaint is that I wish we had heard more from the single black female performer. Her poetic, sonorous soliloquy moved me more than any of the rest of the dynamic action, and I'd have liked to have more exposure to her narrative throughout the performance.

Either way, Out There shows are always an insight into the unknown that provide a refreshing break from the usual theater fare. You may love it, you may hate it, but there's no doubt that you'll leave an Out There performance with food for thought and a fascinating topic of conversation. Each performance runs for one weekend only, meaning you have only two days left to see Teatro El Público: Antigonón. I suggest you head to this link to learn more and buy tickets, and a word to the wise: you can get a discount if you purchase for the whole series at once.

For a roundup of past Out There performances I've covered, see the following: 






Wednesday, June 14, 2017

Thrillist: The Definitive List of Summer Movies in St. Paul and Minneapolis

Are you broke? 


Photo courtesy of Thrillist

If you are (like many of us), you need free things to do that are also fun. Thank goodness it's summer so there are a plethora of options available at your fingertips.

One of the best free things to enjoy in the summertime in the Twin Cities is the extensive outdoor movie series. I mean outdoor picnics, steamy screenings, shared enjoyment of some of the most palatable films ever made - what's not to love?

My latest piece for Thrillist compiled all of the movies available this summer in St. Paul and Minneapolis. It's an exhaustive list - seriously guys, they knocked this out of the park - so make sure to head over to Thrillist and check it out! It includes classics like the original Star Wars, Rogue One, Hidden Figures, Fences, 42, Drop Dead Gorgeous, Clueless, and way, way more. You can find the link here.

Friday, March 3, 2017

Walker Art Center Presents INDIgenesis: Indigenous Filmmakers Past and Present

Photo courtesy of the Walker Art Center.

Right on the heels of the amazing announcement celebrating Indigenous performances from the Ordway (which kicks off this weekend - don't miss it!) comes the announcement from the Walker Art Center that they will be presenting a film festival this month celebrating Indigenous filmmakers. The series will begin TONIGHT with The Daughter of Dawn, a silent film from 1920 featuring more than 300 members of the Comanche and Kiowa tribes, and culminates in a discussion with those documenting the ongoing activism surrounding the Dakota Access Pipeline at Standing Rock.

The press release had wonderful information detailing the event, so I'm sharing it here. Many of these events are free or extremely affordable ($10 or less), so make sure you stop by the Walker Art Center to check this out!

Several filmmakers will be present through the run of INDIgenesis to talk about their work including, Lyle Corbine, Missy Whiteman, Zack and Adam Khalil, Heather Rae and Cody Lucich. Picture the classic western The Searchers set in Nunavut. Find yourself in the Minneapolis neighborhoods of Missy Whiteman's newest film. Pay tribute to American Indian Movement peace warrior John Trudell and enjoy the Pines' music video on which he and Whiteman collaborated. Join an exploration of ancestry and language in a program of shorts, learn the Ojibwe tale of the Seven Fires Prophecy, and more.

Reflecting upon the series, Whiteman says, "We are in the beginning of a new era in Native cinema, a place where our ancestors are given life, our voices rise, and we return to our traditional ways of being through the lens." INDIgenesis builds upon the legacy of the Two Rivers Native Film and Video Festival and is programmed in collaboration with Whiteman (Northern Arapaho and Kickapoo Nations), a writer, filmmaker, and digital media consultant whose films incorporate indigenous teachings and values as a means of revitalization and preservation.


The Daughter of Dawn  
Directed by Norbert A. Myles
Friday, March 3, 7:30 pm

Shot in the summer of 1920 in southwest Oklahoma, the film features more than 300 members of the Comanche and Kiowa tribes who integrated personal objects into the story of two suitors vying for the affections of the Kiowa chief's daughter. A live score accompanies the screening. 1920, US, silent, 87 minutes.


Mekko 
Directed by Sterlin Harjo
Saturday, March 4, 7:30 pm

A thrilling redemption quest inflected with shades of the supernatural, Sterlin Harjo's third feature follows Mekko, a recent parolee who encounters Bill, a malevolent figure he suspects might be a shape-shifter. 2015, US, 84 minutes.


The Searchers  
Directed by Zacharias Kunuk and Natar Ungalaaq
Friday-Saturday, March 10-11, 7:30 pm

In this reimagining of John Ford's classic western of the same title, gorgeously set in Nunavut circa 1915, an Inuk man tries to find the invaders who destroyed his home and kidnapped his wife. 2016, Canada, in Inuktitut with English subtitles, 94 minutes.


DNA/Memory: Storytelling and Cultural Heritage  
Director Lyle Corbine in Person
Saturday, March 11, 2 pm
Free

Using storytelling to address erasure and preserve traditions for future generations, these short films beautifully express filmmakers' examinations of ancestry, language, and history. Program includes Shimásáni by Blackhorse Lowe, Anishinabemowin Nagishkodaading by Eve Lauryn-Lafountain, and Shinaab by Lyle Corbine


Area Premiere!   
The Coyote Way: Going Back Home  
Director Missy Whiteman in Person
Thursday, March 16, 7:30 pm
Free

This sci-fi docu-narrative follows Charlie, who is forced to make a difficult choice. Featuring an entirely Native American cast, the film was shot in the Minneapolis neighborhoods of Phillips and Little Earth. 2016, US, 30 minutes.


INAATE/SE/ (It Shines a Certain Way. To a Certain Place. It Flies. Falls.) 
Directors Zack and Adam Khalil in Person
Friday, March 17, 6:30pm
Saturday, March 18, 7:30pm

This experimental documentary explores the Ojibwa story of the Seven Fires Prophecy, which has been interpreted as predicting the arrival of the Europeans and subsequent destruction. Bold, smart, and unflinching, the film examines the relationship between cultural tradition and modern indigenous identity. 2016, US and Canada, 75 minutes.


Trudell  
Director Heather Rae in Person
Friday, March 24, 7:30 pm
Free
Preceded by the music video "Time Dreams"

This intimate portrait of poet and American Indian Movement leader John Trudell is the result of 12 years of extensive research and features interviews and archival footage. He passed away in 2015, and the screening pays tribute to his life and influence. 2005, US, 80 minutes.

"Time Dreams" 

Resulting from a collaboration with John Trudell and featured as the closing track on the Pines' 2016 album Above the Prairie, "Time Dreams" serves as a grace note to a life of inspiration, activism, and preservation of the human spirit. The video is a collaboration between the musicians and Missy Whiteman of Independent Indigenous Film and Media.


Views from Standing Rock  
Filmmakers Heather Rae and Cody Lucich in Person
Saturday, March 25, 7:30 pm
Free

Native filmmakers Heather Rae (director of Trudell), and Cody Lucich discuss documentary filmmaking, activism, and representation and present footage from a forthcoming documentary about the global, indigenous uprising born at Standing Rock in North Dakota.